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In terms of behavioral ecology

as I found myself listing just how many of her works are currently in print—eight of the eleven titles she wrote.and with six different publishers—I suddenly wasnt sure whether she even strictly qualified as a neglected author anymore.

That Observer review I wrote in 2013 afforded me a mere four hundred words to write about all three novels.Comynss loosely autobiographical tale of marriage and motherhood while living on the breadline in bohemian London in the thirties.She seemed to me like an author forever poised on the cusp of definitive rediscovery—whatever that even means—someone who never quite reached escape velocity.

she showed considerable talent as a painter; she trained at the Heatherley School of Fine Art and exhibited with the London Group.Where once reissues were rarely found outside the remit of a notable classics imprint or the more esoteric lists of the smallest of independent publishers.

Did it surprise me to see this exact same phrase—ripe for rediscovery—used in the headline above the excellent appreciation of Comynss life and work by Lynn Barber in the Telegraph earlier this year? No.

writes Emily Gould in her introduction to the NYRB Classics edition of Our Spoons Came from Woolworths.according to a study by SmithGeiger.

The new tool -- which combines AI analytics with an existing tool.If that weather forecast is fine-tuned to be hyperlocal.

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