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Leonards stitching doesnt change the ultimate end of these fruits—theyll go exactly the same way as the orange peel I threw in the trash just now.I happened to see Strange Fruit a few years ago when the Whitney Museum of American Art put on a Leonard retrospective.

The two women leading the healing circle told us they would be drawing initiatory symbols in the air over our heads and invoking various energies on our behalf.dimly aware of these two women waving their hands in the air around me—I had a sense suddenly that my grandmother (my fathers mother.I am sitting here eating fruit—an orange from my mothers orange tree—and looking at photos of the artist Zoe Leonards Strange Fruit.

and had once broken a loaf of bread in half and then stitched it back together with red embroidery floss.I was feeling fraudulent and confused and a little guilty for being an unbeliever in this room of aspiring healers.

how the imprints of two such different and unconnected women could be carried together in a body like mine.

is composed of many others: how it holds the traits and quirks and traumas of all the bodies from which it is descended and many of those it touches.tells the story of Atlantas queer liberation movement through the alternating biographies of two gay men.

John had only cruised a few city blocks toward the Strip when a one-​armed man called out from his car.watch children cheer as they rode the curly tailed Pink Pig monorail overhead through the toy ­department.

It was Oz compared to the Sears catalog store where Johns mother had bought the scruffy overalls that had followed him there.The Wizard of Oz went Technicolor when Dorothy hallucinated her way out of Kansas; Johns life flipped into brilliant relief when he left black-​and-​white Alabama for urban Atlanta.